My Dad’s Birthday

April 2nd was my father’s birthday. Family story has it that his mother held out when she was in labor with him so he would not be born on April Fool’s Day. I don’t know if it works that way, a baby is born when he or she is ready. In any case he was born on April 2.About 23 years ago, when he was just 60, he died of a heart attack following minor surgery. He was a complex man. In many ways I was a Daddy’s girl. But at other times I was an outcast too. I’ve written a lot about many facets of our complex relationship. Here are four of those poems. “The Legacy” is from the very beginning of my poetic journal. “Upon Serious Consideration” I wrote when I was trying to deal with emotions (particularly fear) of being diagnosed with elevated blood pressure, which my dad had for a long time. The other two poems were triggered by contemplating feet and from yoga meditation, respectively. I never know when some bit of truth is going to come through.

10/14/95

The Legacy

My dad had a way of seeing
that he passed on to me,
a way of looking at small things
like spider webs and squirrels,
a way of looking at large things
like waterfalls and sunsets.

He knew when there would be
an eclipse of the moon
and we would watch.
We’d sit out on August nights,
lying back on our picnic table,
to search the skies for falling stars.

He knew how things worked,
how to take apart and
put back together.
He could fix bikes and cars
and washers and plumbing,
and I got some of this, too.

When I was older
my dad had a way of receiving
just what I had to give,
of not always asking for more
than I offered.

This was true of him
with others too.
What a gift he had this way!
I’ve tried to do this,
but it doesn’t come easy to me.

This is not to say
all was well with my father.
He spent most of my life really,
stuck and not happy and dying.

He’d take medicine or have surgery,
do what the doctors said,
but he wouldn’t or couldn’t examine
or change his ways
to become healthy and whole.

What happened to the strapping boy of sixteen
who biked a hundred miles in one day
to visit his uncle, then rode back home again?
What happened to his sense of adventure
and freedom and spirit?

I don’t know.
Lots of things can happen in a life.
Why are some crushed
and others thrive?

Yet I see how much of me now
comes from this man.
How much he passed on
stays with me still
and has brought me to
this perfect moment.

Margaret Dubay Mikus
© 1995

6/1/05

Upon Serious Consideration

I am not my father
what he did or did not do
is not my choosing;

how he died,
how he lived,
whether he was happy,

or satisfied
had little to do with me,
his oldest daughter.

What he could tolerate,
what abuse he got and gave,
his temper, his intellect,

his humor, his blood pressure,
blood sugar, cholesterol,
scars, mistakes, history,

none of this is mine.
I have a fresh slate
upon which to write.

Margaret Dubay Mikus
© 2005

6/11/06

Composite Feet

Perhaps the lack of metatarsal arch
from my mother, the shortened toes,
bunion (genetically inclined).

And from my father (gone now twenty years)—
I don’t remember his feet, perhaps I got the high arches,
the high insteps, now falling.

From him I got my love of walking.
In his prime I remember one day—
maybe when the house was up for sale

and the kids needed to be away—
he took us to the woods somewhere near
and we walked until exhausted—

that was the point. And at that point
none of us could best him—not like later.

And I remember when I was older
and did not go on family vacations
to state parks in Michigan,

my father was driving north
and the car overheated and to keep going
he ran the heater—in deep summer—

not knowing the diabetic neuropathy
was so advanced he couldn’t feel
his foot burning. And when they

arrived and set up camp
and he took off his shoes
and took off his socks

the skin of his right foot—
his accelerator foot—
came off too.

Margaret Dubay Mikus
© 2006

9/19/06

From Yoga Meditation

I am playing piano
my father sits on the sofa
in the living room
of our house on Eastwood.
He listens to Moonlight Sonata
and improvising sometimes for hours.
I play and he listens.
I do not know how often this happened
maybe once or maybe regularly.
I loved to play and felt it relax him.
I do not remember him ever
commenting or complimenting,
just listening to his oldest daughter
do what she loved.
And that was…and is…enough.

Do you know how hard it is
to re-write the old stories
to heal from wounds old and deep
to rest, finally?
To remember even harsh things
with compassion and understanding
to forgive and let go?
It is hard sometimes
but can be done
and must be done
to heal and move on.

This story of playing piano
and listening is true.
To remember so vividly
the room, the furniture,
the draped windows along the side
to see him so clearly sitting there
what a gift to have him back
for a bit.

Margaret Dubay Mikus
© 2006

Honoring the Work of Women

We were married ten years before having kids. My husband finished law school at the University of Michigan and we moved to Chicago, where both of us had job opportunities. After working for a year at Children’s Memorial Hospital in immunology research, I was accepted at graduate school, earning my Ph.D in microbiology from the University of Chicago. My field was molecular genetics research (DNA cloning, studying gene regulation in yeast and fruit flies).

When our son was born we decided we wanted to raise our children ourselves. Since I earned less money, I was the logical one. After my maternity leave, we hired a wonderful woman to help and I worked part-time. When we built a house and moved out of Chicago, I stayed at home with two small children. It was an enormous shift in my life. I remember being very lonely at times, missing the intellectual part of my life. Slowly I made friends, often through the children (parents at pre-school or other activities). I ran the household and kept track of everything. My husband went off to work. We each had our roles. And we worked hard to keep a balance. Still, I collected no salary. And in a culture that values what brings in money, it can seem that “women’s work” is not valued.

Often this work is invisible, each thing done is so small, yet in the aggregate, the essential glue holding daily life together. It is easy for me to completely fill a day with these small tasks and yet feel no accomplishment. So many things are repeated over and over. Easy to get discouraged when it seems like nothing gets done. Often this work is unacknowledged or under-appreciated by others. So important then, for women to honor this work ourselves, to notice and value what we do, what we bring to our family. Crucial to see the whole of it, the big picture. Like a stone dropped on a still pond, gentle ripples go far out from the center and can affect things near and far.

1/30/01

Woman’s Worth

My worth as a woman,
as a human,
has nothing to do
with whether dust
collects on my floors
and everything to do with
my heart wide open,
my arms embracing.

Even that is as nothing.

My worth is in being—
whatever form I may take,
for how long or how deep,
how high, how steep the climb,
worth not earned, but given,
grace bestowed at first breath.

Margaret Dubay Mikus
© 2001

2/21/03

Is It Enough?

In this house for fifteen years, just to begin the discussion,
not complaint, but observation…and,
yes, other things were done by others—
this is not about them.

Conservatively, five thousand times making the bed,
several hundred times changing the towels, washing,
drying, folding corner to corner, putting away.

Sorting mail 260 days per year—
let’s say some skipped, some holidays,
still then, totals at least three thousand.

Watering plants 600 times.
Diapering babies and baby laundry and kids sick at night
and late-night school projects—left to last minute.

Buying supplies in timely fashion,
planning for most every possible (likely) situation,
cleaning—some in spurts, not fanatically.

Is it enough that I see—and admire
all the complex steps of the daily dance
that I make all look so easy?

Clothes sorted, washed, dried (or hung) and folded,
returned to drawer or closet in one apparently smooth motion.
Our house is far from immaculate,

but still much to do to be just livable.
Sweeping when my eye or pride demands
the piles of onion skins, Kix, flour from pancakes

or dust fluffs grown large on kitchen floor.
Invisible work, only noticeable by its absence,
when clutter piles high, obscuring desk or counter,

when dust lays so thick a hand-print
is as obvious as a painting.

Appointments to be made and kept, bills paid and filed…

“Keeper of the memories…encourage, support,
listen, take care, stay connected to the earth…
do not drown in the sea of essential trivialities.”

Margaret Dubay Mikus
© 2003

2/19/06

Shrinking Woman

If a woman’s worth
is measured by the cleanliness
of her house, then
the old woman was worthless.
But since that was a myth
she once swallowed whole,
she could take her place
among the elders
spending her remaining
precious grateful moments
doing something else.

What doors were once
open to her? What expectation
laid on thick and heavy?
What dreams might have been
drowned in the parade of seasons;
her life defined narrowly
as was the custom of her time,
ultimately wanting more for her daughters.
Now, waiting out her allotted time,
slowly shrinking as was her world.

She had never intended
to live so long
had never seen herself
as old, yet
here she is more than
three quarters of a century…
and still counting.

Margaret Dubay Mikus
© 2006

8/8/06

Re-thinking

Where was it written
that a woman: mother or wife,
must absorb the darkness, the strife,
no salary, but as a measure of worth;
where is it written?

Where was it written that sacrifice
is required to satisfactorily
carry out those mostly chosen roles:
at any cost keep them safe, secure.
Where is it written?

Somewhere deep in me I feel better
if I take on the pain, the troubles,
even at expense of my health,
even if heart can hold no more.

I would rather suffer
than watch suffering;
I would rather be dark
than watch darkness engulf another,

a loved one, someone in my special care.
But yet,
this is not sustainable,
is harsh and unkind to my body-mind.

Margaret Dubay Mikus
© 2006

3/4/08

Care of the Household

Some things done daily
some weekly or biweekly
some monthly, seasonal or annual

some every couple of years
and some rare, maybe every 10-30 years.
All important, necessary, even essential

and most…invisible…unless undone
each one not amounting to much
but in the aggregate…a mountain.

Sort mail, wash dishes, wipe off the table
clean the clutter, do the picking up
make the bed, check what needs to be checked

wash clothes and linens, drying, folding, put away
pay bills, resolve questions
clean air purifier filters

get ready for Stella to come and heavy-clean
arrange for window washing
get house painted and sump pump checked.

Listen for anything that sounds “off”
or smells “funny” or doesn’t look right:
the front sidewalk sinking and driveway sealed

the roof repaired, cedar shakes preserved
ants trapped, threatening bees exterminated
rooms painted, decorated or “freshened up”

clutter cleared and clutter cleared
curtains washed, plumbing repairs made or arranged.
Any little or big thing attended to

fast or slow all in the flow of days…
and the cycle keeps cycling without end
again…mostly invisible…these mountains

filling my minutes, hours, days, months, years.

Margaret Dubay Mikus
© 2008

7/3/08

Treading Water

From something Lisa said about her mother

The daily tasks
consume so much

time, energy, attention:
mail, wash, picking up,

dirty dishes, bills, calls, emails
gardening, watering, following up,

making the bed, folding, putting away,
empty dehumidifier, check furnace filter….

Yet if done
as meditation

conscious of every breath,
gratitude for all I have:

loving family, beautiful home, nice clothes,
good food, pure water, abundant guidance, ready support.

Yes, then beyond
mere treading water:

transcendence!

Margaret Dubay Mikus
© 2008

Scar Resolution?

Last fall, I read my poem, “Life Review of External Scars” at an open mic at the Geraldine R Dodge Poetry Festival at Waterloo Village, NJ. I prefaced it by saying that this poem was in some ways darkly funny, though the list of scars is long and might seem dreadful. Over the years, I have developed a very well-honed dark sense of humor, sometimes laughing at times that might seem inappropriate, a funeral for example. It’s just my way of coping with what sometimes seems to be an ongoing onslaught of hard times. It is of course true that many scars are internal, not visible to the eye. Scars can also be in a culture as well as a person. “Should We” was written a few days after my bilateral lumpectomies, when I was very specifically dealing with raw, new scars on a sensitive area (emotionally and physically). I often read it now as a plea for peace. “Now As I Am” addresses the idea of being at home in the body, or the longing to feel that way, a topic I return to over and over.

8/30/96

Should We

be known
by our scars
or by how far
we’ve come since
that wounding?

Could we
look at
where we are,
not
where we’ve been
and what’s been done?

Margaret Dubay Mikus
© 1996

4/28/08

Now As I Am

I opened the front door
to the home I once had
and began to unwrite
the unwritten rules.

Unvoiced expectations
so heavy a load
my shoulders were bowed.
Internalized judgment
passed down generations.
Rules of behavior
kept me glued to this spot
in fear of mistakes or imperfection,
shame, guilt or embarrassment.

And even one step forward
was too much to take
under such a burden.
Time to lay that burden down.
Thank you for any gifts
and ask forgiveness.

Forgiveness for the lack of trust,
forgiveness for forgetfulness,
forgiveness for any harsh words
or unkind thoughts or anything
less than generous.

When I look into clear blue eyes
in a mirror and see the pain there
and the laughter, the willingness,

I am encouraged,
I am nourished.

And I open the door
to a home I once had
and open the windows
to let in the light,

disperse the shadows,
freshen the air,
so that now, as I am,
I can come
back in and live there.

Margaret Dubay Mikus
© 2008

9/4/08

Life Review of External Scars

remembered or deduced, roughly in order

The belly button it could be argued,
though the cut part fell off.

The white slash so near the right eye where
grandma’s golden retriever got me at three.

Jumping in bed, hit Mom and Dad’s dresser corner
with my chin. No staples, but butterflies to minimize scarring.

Hard swing, playground first grade, gashed skull, first stitches.
Dr. Griffin, kind man, talked me through it.

The visible, but not noticeable, line across
the fleshy lower third of my left index finger,

cut when I tried to get at a box of brown sugar
with our largest sharp knife and the hard block

did not yield, the blade slicing through the box
and into me down to the bone. Parents out,

leaving us to baby-sit: I was second oldest.
Terrified. Cold compresses to stop the bleeding.

No stitches, butterflies when Mom got home or next morning.
Four deep Staph. infections: left thumb in eighth grade;

right side of nose bridge, left temple and cheek,
in the middle of high school when most self-conscious.

Inch mystery scar outside of right thigh.
Tonsils removed at nineteen.

Small dimple scar on tailbone from pilonidal cyst
the size of a small orange, painful to sit on, then burst open.

Two episiotomies, network of stretch marks
from carrying and delivering watermelon babies.

Thirty six? was it? “voluntary” stitches to remove
suspicious, questionable large moles…that proved of no consequence.

Two and three-inch fine lines from breast cancers removed,
now replaced by two eight-inch thin seams fading to white,

overlying scar tissue where breasts once were.
Three umbilical incisions repairing hernias plus

two half inch slits at bikini line, removing tubes and ovaries.
All the mosquito bites, bee stings, falls, sprains,

strains, scrapes, burns and bruises healed to invisible.
Each one a miracle.

No physical trace of measles, chicken pox, flu,
small pox vaccines, Tb tests, hard bumps,

swollen lips, teenaged breakouts,
however transiently embarrassing.

No discoloration or inflammation from adult poison ivy,
no convincing demonstration of the initial devastation.

All this not to whine, the pitiful victim,
but to take a moment to realize how far I’ve come…

still standing.

Margaret Dubay Mikus
© 2008

“Should We” is from As Easy as Breathing (p.76) and is also read on the CD, Full Blooming: Selections from a Poetic Journal.

Healing Power of Poetry

Some “thoughts” over the years on the role of poetry in healing.

What do you think?

2/25/03

The Poet

I am my mother’s daughter
and I am the Mother of my Self—
one who made the form
and one who filled it.

And I am the mother of my daughter,
a beauty like no other.
She forgot to wash her socks until midnight and,
smiling her smile, asked if I could put them in the dryer
and I did…easily…again.

Who rules on any given day?
What boundaries between the roles I play
tying me to sanity?

No instructions, no models or even myths.
In all the worlds there ever were
not one has ever been exactly like me…or you.

Or has done what we are about to attempt.
I am tempted to stop, not life, but struggle
to be more, to become what I imagine.

But a poet who is fearless,
who carries on regardless,
whose words are kind and true and honest

is more than essential for survival…
is the compassionate and dispassionate glue
that holds it all together—

or later, after the fall,
uses the bricks from the wall
to make something else altogether.

Margaret Dubay Mikus
© 2003

4/21/06

My Lesson

If I take on your pain
but do not get with it
the tools to work it through—

the tools you have been given
as this is your lesson—
then all I get is grief

and all you get is numb,
temporarily. Brace for
the next onslaught

perhaps even worse.
But if I leave you
your pain, no matter

how deep and bitter,
and sit with you in the dark,
holding your hand in hope,

perhaps speaking in a soft,
reassuring voice, or sitting
in rich silence,

then you may discover
the tools you were given,
buried deep or resting in your hand,

and you may recover
your power to heal
yes…even from this.

Margaret Dubay Mikus
© 2006

2/1/07

Poetry as Healer

And you might say,
how can poetry heal,
it is not a pill I take
into my body?

And I would respond thus
from my heart, the source of poetry:
poetry is word spoken
which is vibration
which is energy
and the body which is matter
is energy very slowed down,

so poetry is energy
into the body which is energy
so energy heals energy.

Of course the frequency of vibration
of the words is important. There are
words that tear down, as you know.

And, as has been graphically shown with
the crystals of Emoto, there are words
which health can be built upon.

These words from the heart
with healing intent,
these are the words that heal,
there is no doubt.

Try them out.

Margaret Dubay Mikus
© 2007

2/27/07

Thinking of Beate

Sometimes art heals
by soothing, sometimes
by lancing the boil, or
by opening the eyes
to fresh possibilities.

Sometimes it is closing a door
to a room filled with stale air,
sometimes a scream
from a dark bottomless pit,
sometimes presenting
wonder on a silver platter.

Sometimes art compels to look,
sometimes can barely look;
the healing can be subtle
or heart pounding,

one moment resounding
over the ages.
All I am telling you is this:
there is no doubt art heals.

Margaret Dubay Mikus
© 2007

“The Poet” is from my CD, Full Blooming and my next book, Letting Go and New Beginnings: Poems and Photographs

“Poetry as Healer” and “Thinking of Beate” are from my chapbook, New Year’s Eve Surgery, 2007.