Category Archives: people

Two Poems of Comfort

Egret in St. Pete’s by Margaret Dubay Mikus, Copyright 2008

I posted the following comment on Facebook in response to Tiffany’s request for stories upon Bill Farber’s birthday, 3/24/17, (He passed away a year ago):

“Twenty years ago Bill Farber was my Reiki teacher. He said something surprising that I still remember: that getting a Ph.D. in microbiology was the perfect training for becoming a poet.

When I was diagnosed with breast cancer 6 months later, he offered to do Reiki sessions for me before each chemotherapy, for no charge. I thought of it as making sure my energy batteries were fully charged and it made a big difference to how I handled chemo and how quickly I healed. Although we lost track of each other over the years, I continued to think of him as my teacher and was shocked and unexpectedly bereft when he died last year.

Tiffany, I don’t know if you remember meeting me when I was at the house one time, and you read me a poem you had written. It was very powerful and moving (and felt quite real, though I found out it was fiction). It inspired my poem, “To Tiffany (This came out of your poem),” which is very different from my usual style of writing. I included it in my book, As Easy as Breathing: Reclaiming Power for Healing and Transformation. As often happens, the death of your Dad also prompted me to write a poem, “The Passing of Bill Farber.”

I think I emailed both of them to your Mom. If you’d like to have them, let me know. Hang in there on this day of remembrance. <3<3”

So here they are, two very different poems of comfort, written 20 years apart.

The first is from my book, As Easy as Breathing: Reclaiming Power for Healing and Transformation. I wrote this at the beginning of chemotherapy, a time I very much needed comfort. (And yes, I had an actual stuffed bunny like this one.)

To Tiffany:

(This came out of your poem)

I snuggle deep
in my pink nest
with the bunny
I love the best.

He is comfort
and fuzzy forgiving,
always reflecting
loving and living.

His ears have
the softest fur,
white and warm
and so secure.

I hug him close
before I sleep
then put him up
on my pillow to keep

watch over me
as I sink to the deep
dark depths or float
or fly or weep.

Margaret Dubay Mikus
© 1996

And the second is from my poetic journal, my personal response to yet another loss:

3/7/16

The Passing of Bill Farber

Death lesson
like a toddler
learning object
permanence:

When the object
becomes unseen
does not mean it is gone
it can come back
or come back in another form.

And death is like that
they say: not gone altogether
but gone away and yet
he or she is still somewhere
still existing…somewhere

perhaps to return
or reunite with
perhaps slipped out the door
to other dimensions
parallel or infinite

waiting with the others
speaking if spoken to
aware yet somehow distant
listening to the big picture
expanded from who they were here.

Margaret Dubay Mikus
© 2016

61–“On Imperfection, For Corax” from “Frazzle”

Public Art in Dallas: The Eye, photo by M D Mikus, Copyright 2014

1/28/14

On Imperfection
For Corax

On the other side of darkness
the past looks far away,
and if I didn’t know better,
mostly forgotten.

Live in the now,
isn’t that what they say?
I agree mostly and also intend
to remember my lessons:

not to repeat same old mistakes,
not to let the unconscious pilot the course,
to remember to breathe,
to always be kind and

to forgive, every day forgive
imperfection. For here we learn
by being in form, subject to complex patterns
we cannot sense or anticipate.

If we were perfect—
which we are somewhere—
what would be the point of
choosing to go to Earth-school?

As long as we are here—
those numbered precious days,
those rare allotted minutes—
we have work to do.

Get on with it.

Margaret Dubay Mikus
© 2014

From Thrown Again into the Frazzle Machine: Poems of Grace, Hope, and Healing.
And Transcending Boundaries: Inspired by Eric Whitacre and Virtual Choir.

Listen here: https://youtu.be/E1vMFwdGa_E

Today it was hard to convince myself that making these videos matters. It seemed that anything I can do is insignificant in the face of massive challenges and national upheaval. Yet…none of us is alone. We inspire each other. We each do our part, right? When I considered not recording, I felt heavier, less hopeful. Maybe that is enough of a reason: to feel lighter, to hope, and perhaps inspire hope. For these few moments, let us demonstrate resilience…together. I am grateful for your presence.

Eye in Daylight, Dallas, photo by M D Mikus, Copyright 2014

For more poem videos in the series

THROWN AGAIN into the FRAZZLE MACHINE: Poems of Grace, Hope, and Healing

 

 

 

 

 

 

 

 

 

Transcending Boundaries: Inspired by Eric Whitacre and Virtual Choir

60–“Limo Driver from O’Hare Airport” from “Resist the Slide into Darkness”

Landing at O’Hare–Chicago Skyline by Margaret Dubay Mikus, Copyright 2014

Listen to poem here: https://youtu.be/nekff0ynG9s

9/9/14

Limo Driver from O’Hare Airport

The light-skinned man from Tunisia, Africa
had been a student dissident
in the old days arrested 11 times
once kept in a cell 1 yard by 1 yard.

A leader perhaps who paid to print a paper
and distributed it one time by
putting packs on tops of lights at the soccer match
then when the first goal was scored the papers

were released by a pulled cord over the cheering crowd.
He was highly educated by his telling
and got a upper level job at a bank
for 8 years. When the government changed

he was targeted, word gotten to his mother
leave tonight or die
and he did, making his way here
to freedom.

We meet him driving the limo
from the airport. He’s married
has a 10 year-old daughter
building a life here. Now he can see

his mother, but will never go back home.
His undiminished love for the place: the first
country in the Arab Spring
he tells us proudly.

Margaret Dubay Mikus
© 2014

From upcoming collection: Resist the Slide into Darkness by Margaret Dubay Mikus

For more poem videos in the series

57–“Virtual Choir 4” from “Frazzle” and “Transcending Boundaries”

Door County in September by Margaret Dubay Mikus, Copyright 2013

7/16/13

Virtual Choir 4
Watching screen shots by Elisabeth

To be seen,
to be seen singing,

to allow
sounds to emerge

and release,
to take the step

driven to connect
or belong or create

a tiny piece of beauty,
trusting.

To open heart
and mouth,

let energy go forth
meshing with others

in the same quest,
hoping.

To strive and persist,
to learn and teach,

to wait for the outcome,
patient.

To join without boundaries,
to encourage, to support,

to accept grace and be
generous.

To demonstrate flight,
each a feather on a wing,

at least a little bit…
fearless.

Margaret Dubay Mikus
Copyright 2013

From my books, Thrown Again into the Frazzle Machine, and Transcending Boundaries: Inspired by Eric Whitacre and Virtual Choir.

Listen here: https://youtu.be/_scl4qd8Aes (Video begins with an introduction and de-stressing, join in.)

I have been a singer all my life, usually in choirs (church, school, or community). When I first heard about Virtual Choir, created by composer/conductor, Eric Whitacre, I was determined to be part of it. Though I was not a particularly tech savvy person, and very shy as a singer in some ways, I still was moved by the music and the possibility of connection. When Virtual Choir 3 came along, I read all support comments on their Facebook page to see if I could manage it. I learned the music and practiced, putting together a recording setup in my office. I was so affected by all the encouragement from the support team (for other people), I overcame my “issues” and got my video in (alto 2). I was unable to find myself in the final film, but that did not diminish my joy in being part of it all.

When Virtual Choir 4 was announced, I was eager to do it. I donated to the Kickstarter campaign. I practiced to learn my part and upgraded my recording setup. In the final film I found myself right away, which was awesome. When Elisabeth, from Chicago, one of the support crew, decided to help singers find their videos by taking hundreds of screen shots, I watched all of them (no sound, just the faces) and was powerfully moved by all the people I was connected to, from all over the globe.

These videos have gotten millions of views on YouTube. Listen here to VC 3 and here to VC4.

This connection has blossomed into an online community, a Virtual Choir family, that supports each other in hard times and celebrates together in joyful times. When possible they meet in real life and may even sing together. I am blessed to be part of it. Thank you, Eric, and all.

For more poem videos in the series

THROWN AGAIN into the FRAZZLE MACHINE: Poems of Grace, Hope, and Healing

 

 

 

 

 

 

 

 

 

Transcending Boundaries: Inspired by Eric Whitacre and Virtual Choir

54–“Gorecki: Symphony of Sorrowful Songs” from “Transcending Boundaries”

Waterfire, Providence, RI by M D Mikus Copyright 2010

8/26/12

Gorecki: “Symphony of Sorrowful Songs”

Thanks for the link, Eric Whitacre

In the stillness
non-essentials fall away
light shines in darkness.

Life is re-built
from mostly re-used bricks
previously battered down.

And in the shadows
music builds for those
with patience to listen

to beauty becoming.
Those who trust long enough
to invest the time

who will breathe with
ascending notes, climb the mountain
be washed clean

come back down to life
transmuted water to wine
and back again.

Intoxication.
Dedication
to feeling.

The Phoenix rising
from everyday ash
willing.

And in the end
a shift in key
a point of light toward

the hoped for
healed reality.

Margaret Dubay Mikus
© 2012

From Transcending Boundaries: Inspired by Eric Whitacre and Virtual Choir

Listen to the poem here: https://youtu.be/Ha3xxshEn6s

Henryk Gorecki was a modern composer (1933-2010) from Poland. His Symphony No. 3—which he called A Symphony of Sorrowful Songs—was composed in 1976 and received a lukewarm reception at the time. It was based on 3 laments, including writing by a teenager to her mother on a cell wall in Gestapo headquarters. Fifteen years later a recording with Dawn Upshaw as soloist became a classical phenomenon. This music is incredibly beautiful and moving, building slowly out of near silence. Patience is rewarded. Truly healing music.

Note: The correct English pronunciation of Gorecki should be “Goo-RET-skee.” I found this out while listening an NPR interview with the composer after I did the recording.

Crossing Michigan Ave., (near Chicago Symphony Center) by M D Mikus, Copyright 2008

For more poem videos in the series

Transcending Boundaries: Inspired by Eric Whitacre and Virtual Choir